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BEGIN:VEVENT
DTSTART;VALUE=DATE:19900901
DTEND;VALUE=DATE:20250720
DTSTAMP:20250730T161556Z
CREATED:20250724T171135Z
LAST-MODIFIED:20250730T161556Z
UID:10000205-652147200-1752969599@albertaprintmakers.com
SUMMARY:1990 ArtWalk
DESCRIPTION:About the Exhibition\nThis year’s annual ArtWalk festival will be held in September. Work from A/P will be on display in both The Petro-Canada Gallery and Image 54\, with Image 54 showcasing works and prints of a smaller scale. Thank you to Pauline Lindland and Mark Dicey for jurying this exhibition. \nArtists included in the exhibition: \nLeslie Minions\, Joan Weiser\, Helen Mackie\, Carole Bondaroff\, Gwen Frank\, Malcolm Brekkie\, Robbin Yager\, Todd Johnson\, June Thomsen\, Lenore Dyke\, Setsuko Moulton\, Colleen Shepstone\, Vera Greenwood\, Kevin Jones\, Janet Lowry\, Nick Meijer-Drees\, KarenMacRae\, Marda Wright\, Vivian Herman\, Bill Laing\, Catherine Baillies. 
URL:https://albertaprintmakers.com/event/1990-artwalk/
LOCATION:Image 54
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110401
DTEND;VALUE=DATE:20250724
DTSTAMP:20250730T164653Z
CREATED:20250724T175248Z
LAST-MODIFIED:20250730T164653Z
UID:10000239-1301616000-1753315199@albertaprintmakers.com
SUMMARY:Local Imprint
DESCRIPTION:About the Exhibition\nA/P is organizing\, Local Imprint\, a juried exhibition for A/P members to showcase their work. \n\nThis exhibition is intended to: \n\nCelebrate A/P members while welcoming new and returning members\nFoster community through an inclusive group exhibition\nConnect with local and global printmakers and showcase the breadth and depth of their print-based work\nPromote sales that will support individual artists and raise funds for sustaining A/P’s community programs\n\n  \nArtists included in the exhibition: \nAlden Alfon\, Elizabeth Allen\, Carole Bondaroff\, Rosemary Brown\, Katherine Cregan\, Irén Gibson\, Kenzie Housego\, Ursula Knight\, Eveline Kolijn\, Kathryn Mathias\, Larissa McLean\, Michael Leeb\, Shinobu Mitsuashi\, Sara Norquay\, Anne Petrie\, Stan Phelps\, Carrie Phillips-Kieser\, Evan Smibert\, Heather Stump\, Margot Van Lindenberg\, Caitlin Wells\, Andie Wicherts\, Andrea Williamson\, Tracy Wormsbecker\,
URL:https://albertaprintmakers.com/event/local-imprint/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
ORGANIZER;CN="Alberta Printmakers":MAILTO:director@albertaprintmakers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171204
DTEND;VALUE=DATE:20250807
DTSTAMP:20250807T034521Z
CREATED:20250807T034521Z
LAST-MODIFIED:20250807T034521Z
UID:10000305-1512345600-1754524799@albertaprintmakers.com
SUMMARY:The Mountie in The Family
DESCRIPTION:About the Exhibition \nMy maternal grandfather was a Mountie. This photo of him on horseback\, dressed in his formal Canadian Mounted Police uniform\, represents such an iconic symbol for Canada. Having passed away in 1995 he would have been 106 years old this year\, as Canada turns 150. This artwork is an investigation into my own identity\, within Canadian culture\, and how my personal view on heritage\, lineage\, and nostalgia have played a part in the formation of this identity. \nArtist Bio: Kenzie Housego has always been drawn to found objects and imagery with a sense of history. Through her art\, she seeks to investigate societal narratives of a romanticized past as well as the narrative of objects. She often highlights contemporary modes of gender roles and beauty by reflecting on the symbolic or iconized within society. Housego holds a BFA in Print Media from the Alberta College of Art and Design and resides in Calgary Alberta.  \n  \n 
URL:https://albertaprintmakers.com/event/the-mountie-in-the-family/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/08/01_Mountie_Family-1-e1754538299810.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190112
DTEND;VALUE=DATE:20190223
DTSTAMP:20250802T161213Z
CREATED:20250802T161213Z
LAST-MODIFIED:20250802T161213Z
UID:10000285-1547251200-1550879999@albertaprintmakers.com
SUMMARY:Obscura
DESCRIPTION:About the Exhibition\nClarity through duplicity: On Obscura – exhibition essay by Daniel Harvey \nLet me be blunt: the work in Angela Snieder’s current show\, Obscura\, lies to us. It lies deliberately\, fully aware of its willful duplicity\, while wearing a disingenuous “Who me?” smile. Her photographic prints and sculptural installations alike conspire to draw the viewer in and tell them a story\, one that at first appears indexical and truthful\, but which on deeper inspection reveals itself to be nothing more than a tissue of lies (literally tissue\, in the case of her most recent camera obscura projection). And in this untruth lies the truth of the show’s critique of mimesis\, of the idea that we can uncritically believe the evidence of our eyes\, and its blurring of the distinction between mimeses and anti-mimesis as it plays with the constructed nature of art in general\, and particularly the (presumed) truthfulness of photographic representation.  \nSnieder completed a BFA at York in 2013\, before moving to Edmonton\, AB for her MFA in printmaking (2017). Her thesis show\, which this draws upon and develops\, comprised a series of photopolymer Chine-Colle prints of diorama sculptures\, large-scale digital prints pasted to the gallery wall\, and a camera obscura room with three boxes projecting still images onto the walls. The sculptural elements of the obscurae work through a double inversion: first\, the dioramas inside were built upside down\, so that the images appear right side up when projected on the gallery wall. Second\, where a traditional obscura functioned by introducing an exterior image into an interior space\, in these the interior space of the diorama box inverts into the outside world. Each of the works\, but most strikingly the projected images\, appear almost as windows inviting the viewer to enter otherworldly landscapes. The works play with the idea of natural space\, presenting imagery that appear at once cavernous and claustrophobic\, natural and constructed\, interior and exterior; the images resemble mineshafts\, waterfalls\, barren snowscapes\, mountainsides\, seascapes\, and other spaces with potentially sublime and anxiety-producing affects. There is something uncanny about them\, stemming from the trickery of scale\, so that the images appear to be of a macro\, almost geological scale\, while in fact representing the micro spaces of the diorama boxes. This current iteration of the show extends the uncanny effect by adding elements of movement and sound to the camera obscura piece\, mixing the appearance of video with still images of the ghostly dioramas.  \nConsider\, as an example\, the “Storm” image from this iteration of Obscura. The 4’ by 9’ image appears to show us a vast\, snow-covered waste\, or a cave snaked by tendrils of steam or mist\, or perhaps a smoke and ash filled landscape(of a kind that has become increasingly familiar in the last few years of rampant forest fires). Both fore- and background are indistinct\, the former obscured by shadows resulting from the light entering from either side\, the latter receding into a hazy blackness blurred by fog\, smoke\, or dust. The space feels capacious and naturally occurring\, until the light draws your eye\, and you notice the regularity of its entry points\, the corrugated layers of the wells\, and suddenly the scale tilts as nature evacuates the scene\, and the constructed nature if the space becomes impossible not to recognize.  \nSo. Angela Snieder may not be a liar\, but her work lies. And far from being a weakness\, Obscura’s aesthetic duplicity provides\, for me\, its essential pleasure as art\, and its interest as a cultural artifact of a period in which humans have become a geological force and the very concept of nature as something unaltered or unconstructed by humans seems increasingly naive. This problem –our relationship with\, and impacts upon the environment that surround us– stands as perhaps the most pressing issue we as a species have ever faced\, and while Snieder’s work certainly makes no claims to solve that problem (and really\, what art could?)\, in its deception and its toying with the categories of nature and culture\, of semblance and reality\, it invites us to consider the ways we understand their interrelations\, and our own experience of them. Obscura’s lies seem to me to follow in pattern of deception perhaps best described by Mark Twain in his “On the Decay of the Art of Lying\,” where he enjoins us “to train ourselves to lie thoughtfully…to lie with a good object\, and not an evil one…to lie gracefully and graciously…to lie firmly\, frankly\, squarely\, with head erect…..” Its deceptions are thoughtful ones\, gracefully done\, and in the end\, truthful ones. \nAbout the Artist\nAngela Snieder is an artist and educator living in Edmonton\, Alberta. She received her BFA from York University in Toronto\, Ontario and has recently completed her Masters of Fine Arts in Printmaking at the University of Alberta. She has exhibited her work nationally and internationally\, and has taught both in the University and in the wider community. Her art practice is based primarily in photography methods and photo-based printmaking\, and explores themes of land and place and the relationships between physical and psychological spaces. 
URL:https://albertaprintmakers.com/event/obscura/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190117
DTEND;VALUE=DATE:20190301
DTSTAMP:20240424T040410Z
CREATED:20240424T040410Z
LAST-MODIFIED:20240424T040410Z
UID:10000115-1547683200-1551398399@albertaprintmakers.com
SUMMARY:All the Way Back
DESCRIPTION:About the Artist \nShelby Wolfe-Goulet is a recent graduate of the Print Media program at the Alberta College of Art + Design. Reflecting on notions of memory and identity\, her work unpacks complex family narratives and histories that are shaped by intergenerational knowledge.
URL:https://albertaprintmakers.com/event/all-the-way-back/
LOCATION:Burnt Toast Studio\, 215 36 Ave NE Bay 5\, Calgary\, Alberta\, T2E 2L4\, Canada
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2024/04/all-the-way-back-shelby-wolfe-goulet.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190117
DTEND;VALUE=DATE:20190301
DTSTAMP:20240424T041225Z
CREATED:20240424T041225Z
LAST-MODIFIED:20240424T041225Z
UID:10000116-1547683200-1551398399@albertaprintmakers.com
SUMMARY:GLUMPS
DESCRIPTION:About the Exhibition \n“Within my work I employ clown-based imagery in order to create conversations around ideas of persona and social\nmasks. My work explores the self-regulating relationship between the unconscious mind and the social mask created by\nit\, the residue left behind\, and the construction of the new mask. I adopt this clown imagery in order to symbolize these\nsocial masks and communicate these theories within my practice. Through working with representations of clowns\, I am\ncontinually drawn to the use of deep\, dark\, black inks\, and cream paper. The combination creates an aged aura for the\nwork\, as well as pushes the visual contrast of the created imagery.” \nAbout the Artist \nMitchell Luken was born and raised in the southern suburbs of Calgary Alberta\, and recently completed his Bachelors of Fine Arts at the Alberta College of Art + Design. His main conceptual focus has be around personal identity and social masks within modern society. Primarily Mitchell works with copper etching process’ to obtain dark tonal variety with fine line work\, while incorporating an unpleasant or crude aura surrounding it.
URL:https://albertaprintmakers.com/event/glumps/
LOCATION:Burnt Toast Studio\, 215 36 Ave NE Bay 5\, Calgary\, Alberta\, T2E 2L4\, Canada
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2024/04/glumps_mitchel-luken.jpg
END:VEVENT
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