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DTSTART;VALUE=DATE:20120111
DTEND;VALUE=DATE:20120219
DTSTAMP:20250731T221604Z
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SUMMARY:Between Vessels
DESCRIPTION:About the Exhibition\nJill Ho-You – exhibition essay by Jaron James Whittingham \n“The physical body retains traces of memory at the tissue\, cellular and molecular levels. My work draws insights from these visceral observations and attempts to express how our identities are linked to the often mysterious complexity of our bodies.” \nAs each cell of the individual is unique in its fleeting way\, each of Ho-You’s drawings conveys a unique and undeniable mystery. From the vague renderings of organs and microscopic fauna\, to the striking Rorschach blots\, the work alludes to a deeper meaning. Much like a scar that can neither confirm\, nor deny violence\, Ho-You’s work relies on the viewer to fill in the gaps. The conundrum of the physical memory is that it is both concrete and fluid\, and this is captured in the work through a dynamic range of mark making and media. \nAt times both abstract and technical\, Ho-You’s body of work asks a straight forward\, yet unanswerable question: “In what ways are personal memory\, emotion and cognition expressed through the physicality of the body?” \nThough science can dissect your body and infer elements of your life and behavior based on a near infinite number of factors\, a human being’s thoughts\, emotions and memories require computational power and storage space that eclipses the modern supercomputer. We can examine the heart and lungs and determine a life of cigarette smoking\, but we may never know why this young person picked up such a destructive habit. Was the habit inherited from a family member\, or was the habit picked up to impress a member of the opposite sex? \nThe physicality of the body is expressed in many ways\, and Ho-You has captured her own physicality in her work. Does the delicate mark making reflect a fragile soul? Does the stark use of negative space reflect a longing for companionship\, or perhaps a desire for solitude? Do the monochrome prints reflect an artist that is experimenting with the minimal\, or rejecting the complexity of a full palette of colour? \nJill Ho-You’s work deals with the duality of the physical and cerebral. This duality is mirrored directly by art it’s self\, both in the tactile tradition of art making and it’s ever evolving interpretation. Without interpretation\, art becomes scenery\, just as without memory or emotion\, the human body becomes furniture. Without physicality\, art is an idea\, and without the body\, the human being is a memory. \nThrough these questions\, Jill Ho-You has been able to take subtle works of two dimensional art\, and turn them in to a fully dimensional body of work. Simple and aesthetically pleasing in casual view\, and increasingly complex with further inspection.  \nAExploring transcendent themes of psychology and physicality of the body and mind\, Jill Ho-You presents her most recent body of works “Viscid” and “Empire”. Currently working on a MFA in print making from the University of Alberta\, the dynamic mixed media artist brings her work to the Alberta Printmakers Gallery. \nHo-You has shown her work worldwide\, and returns to Calgary for her first solo show for the Alberta Printmakers Society.  \n  \nAbout the Artist\nExploring transcendent themes of psychology and physicality of the body and mind\, Jill Ho-You presents her most recent body of works “Viscid” and “Empire”. Currently working on a MFA in print making from the University of Alberta\, the dynamic mixed media artist brings her work to the Alberta Printmakers Gallery. Ho-You has shown her work worldwide\, and returns to Calgary for her first solo show for the Alberta Printmakers Society.  \n 
URL:https://albertaprintmakers.com/event/between-vessels/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/07_JillHo-You.jpeg
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DTSTART;VALUE=DATE:20120229
DTEND;VALUE=DATE:20120415
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SUMMARY:Hybrid Figures
DESCRIPTION:About the Exhibition\nYuji Hiratsuka: Hybrid Figures – exhibition essay by Carrie Phillips-Kieser \n“Living only for the moment\, turning our full attention to the pleasures of the moon\, sun\, the cherry blossoms and the maple leaves\, singing songs\, drinking wine\, and diverting ourselves just in floating caring not a whit for the pauperism staring us in the face\, refusing to be disheartened like a gourd floating along with the floating world” – Asai Ryoi\, Tales of the Floating World. \nThis passage refers to the floating world of Ukiyo-e prints during the Edo era of the 17th century in Japan\, but it could just as easily be referring to the celebration of life depicted in Yuji Hiratsuka’s current exhibition. His etchings are of figures caught in full bloom of bleeding rose-reds\, indigo\, and rich lacquer black\, they are filled with intricate patterns and designs\, playful textures and layers; they awaken our senses and call our attention to heightened emotional tensions through their dramatic articulated gestures. The over articulated gestures of the figures are like actors arranged in synchronized poses of dance\, or moments frozen in contemplation and pleasure. \nUndeniably echoing the Barque exaggerations of past Japanese prints depicting actors from the Kabuki theatre\, particularly those of the artist Sharaku (fl. 1794-5) whose wood block prints depict contemporary actors in character conveying a sense of drama by distortion. Hiratsuka’s figures seem to announce or celebrate particular performances\, or portray emotions of the heart and body but with a contemporary update and twist. His actors are also spicy and taunt with tensions of desire and temptations. Set within luscious metaphorical landscapes\, forbidden ripe fruit is offered\, presented and indulged upon\, venus fly traps and pitcher plants mirror in the participation of the carnivorous consumption and one can not help but to feel caught up in the indulgence and even perhaps excesses of life. They fill tightly cropped spaces\, adding to the   heightened intensity of their depictions of human conditions. \nThere is also a bridging that happens in his prints; a bridge between the east and the west where traditions of the eastern past do not over shadow them being firmly rooted in Hiratsuka’s western reflections and surroundings. Hiratsuka’s use of contemporary western dress: the vests\, short flirting skirts and clinging dresses articulate current fashions of today and speak of a global merging of cultures. \nOverall the metaphors of deeper meaning\, there is a sense of humour and lightheartedness that abounds. These are happy times\, playful times\, and life is good\, even if it is seeped in extravagance\, and they beacon for us to take a moment to immerse ourselves in life’s plenty\, while we can. \nAbout the Artist\nAward-winning Yuji Hiratsuka is a professor of art at Oregon State University. He is widely exhibited through out the world and is in multiple collections\, including The British Museum in London and Tokyo Central Museum in Japan. This is his first exhibition in Calgary\, Alberta.
URL:https://albertaprintmakers.com/event/hybrid-figures/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/08_YujiHiratsuka.jpeg
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