BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Alberta Printmakers - ECPv6.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Alberta Printmakers
X-ORIGINAL-URL:https://albertaprintmakers.com
X-WR-CALDESC:Events for Alberta Printmakers
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Edmonton
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20120311T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20121104T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20130310T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20131103T080000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0700
TZOFFSETTO:-0600
TZNAME:MDT
DTSTART:20140309T090000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0600
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20141102T080000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130904
DTEND;VALUE=DATE:20131020
DTSTAMP:20250801T182855Z
CREATED:20250801T182855Z
LAST-MODIFIED:20250801T182855Z
UID:10000272-1378252800-1382227199@albertaprintmakers.com
SUMMARY:Falling Angels
DESCRIPTION:About the Exhibition \nIn Light or In Darkness – exhibition essay by Lizzie Carr \nPrintmaking is an ever evolving artistic medium with techniques differentiating from one geographic region to the next. Print collaborates with the traditional and the modern\, using basic techniques with experimental and contemporary trends. Its technical diversity has broadened the concept and definition of print in the 21st century\, and artists working within this medium continue to push the boundaries and foster new possibilities for the art of printmaking. \nGuy Langevin is a remarkable artist who has made a distinct impression on printmaking in Canada. Through his skills in drawing\, lithography\, and mezzotint\, Langevin has become one of the most acclaimed Canadian print artists He has participated in more than 300 group exhibitions including 80 international biennials and juried exhibitions\, and has had more than 60 solo exhibitions in Canada\, U.S.A\, France\, Belgium\, Portugal\, China and Germany. \nLangevins’ solo exhibition\, Falling Angels\, at the Alberta Printmakers’ Society’s Artist Proof Gallery\, is a continuation of a former series. The exhibition consists of figurative mez­ zotint prints and digital prints. Using the human form as his subject\, Langevin’s mezzotints present a struggle between light and shadow\, between abstraction and realism. Moving on from his earlier works which display a dark background with light projecting from the human figure\, this series pres­ ents a clear background causing the figure to become less identifiable\, and thus wraps the human figure in it’s own darkness. \n‘Based on the duality between fugitiveness of light and moment*’\, Langevins’ work navigates between exactitude and blurry images to exaggerate this duality. The human figures portrayed\, twist and become disfigured\, modified by his ephemeral light\, which in turn rests itself upon a metaphor of man’s consciousness of his own death. The belief of the eternity of one’s spirit or soul\, or the attempt to make an existence appear longer in the memories of others\, becomes representative in the ambiguous movement of the human figures. \nAlthough in unascertainable positions\, the figures are falling. Yet no recognizable place\, no ground\, no safety net\, nothing that identifies reality besides the body placed on the paper\, is apparent. It is here\, in this realization\, that the viewer can decide and interpret where the figure is falling; in light\, or in darkness. There is a subtle yet constant aura of death\, which is only announced through the perceptible play of light and time in these prints. The human bodies moving throughout the space of the work become a material\, not a model. The body\, ‘is the image\, creates the image; it is not only a part of it.*’ By forming the human body without concrete identification\, the viewer is allowed to create their own pronouncement of the represented figure\, and develop his/ her own relation to the work. \nAbout the Artist\nGuy Langevin is an award-winning print artist based in Trois­ Rivieres\, Quebec. Originally from Chicoutimi\, Langevin moved. to Trois Rivieras to study art at the University of Quebec in the 1970s. He is an extremely accomplished artist who has been presented with many awards which include the Trois-Rivieres sans Frontieres Award in 2010\, the Guanlan International Print Prize\, Guanlan\, China in 2009\, and the Grand Prize of Bharat Bhavan Art Print Biennial\, Bhopal\, India in 2006. His work resides in multiple collections including the Musee du Quebec\, the lnstuto per la culture e I’ arte\, Catania\, Italia\, the City of Clamecy\, France\, and Teoartis Gallery\, Evora\, Portugal.
URL:https://albertaprintmakers.com/event/falling-angels/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/08/05_Guy_L.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131023
DTEND;VALUE=DATE:20131201
DTSTAMP:20250801T184349Z
CREATED:20250801T184349Z
LAST-MODIFIED:20250801T184349Z
UID:10000273-1382486400-1385855999@albertaprintmakers.com
SUMMARY:Wave Interference
DESCRIPTION:About the Exhibition\nWave Interference – exhibition essay by Keri Macleod \nUK artist Rachel Duckhouse exhibits her print-based artwork in Wave Interference\, a study of Calgary’s water infrastructure and the effects of the recent flooding. This body of work is the continuation of Duckhouse’s exploration of patterning and system map­ping–those familiar with her practice will recognize the delicate pen and ink drawings that highlight her skillful hand. Her work is dynamic- aesthetically it draws parallels to early Op Art in the way she represents rhythm and reverberation. Also present throughout the exhibition is an emotive quality that bridges the abstract with the personal. \nFor the past year\, Duckhouse has served as the Artist in Residence for Watershed+\, a partnership between the city of Calgary’s Public Art Program and its Parks and Utilities departments. Stationed at Ralph Klein Park\, she consulted with civic engineers in developing a visual language to represent the city’s water systems. She also had the opportunity to conduct field research and survey the trajectory of water flow throughout the municipal system. \nHer recent exhibition Only Flow at TRUCK Contemporary Art imagined Calgary’s waterways as if they were architectural elements in their own right- eliminating existing structures such as the riverbed and bridges from the picture plane allowing for the flowing water to take precedence. \nShortly after Only Flow opened\, disaster struck and Calgary’s overflowing rivers affected thousands of residents. Wave Interfer­ ence responds to the flood and serves as a means of continuing a dialogue that unites Calgarians around the subject of our water systems. “On the one hand I felt I had a responsibility to respond to the flood” Duckhouse says\, citing her position as Artist in Residence for the city’s water services\, “though on the other hand it is a very sensitive issue.” \nDuckhouse’s understanding and empathy for those affected by the flood is present in many facets of the exhibition: the large-scale silkscreen depicting an apartment Aoor plan inundated with rushing water pays homage to residents whose homes were wiped out. This particular print was the result of several conversations with a couple who lived in an apartment that had been flooded. \nDuckhouse asked each of them to hypothesize and visualize how the floodwater flowed into their apartment. The violence of the rushing water is startling- waves surge into the apartment and reverberate along adjacent walls creating a chaotic pattern of layered ripples.  \nAlongside this print is an audio piece that serves both as a didactic accompaniment and additional layer of sensory stimulation. The piece features the personal accounts of the aforementioned couple describing what transpired in their apartment. The voices gain momentum\, overlap and then recoil\, mimicking the swell of floodwater. The juxtaposition of objectively surveyed material and personal accounts of the disaster serve as cultural documents and a platform on which to continue the dialogue. \nAttention is also brought to the research component of Duck­ house’s residency with the digital reproduction of her notebook\, giving the viewer a rare opportunity to peer inside the process of artistic production. A trusty companion to many artists\, the ubiquitous Moleskine notebook is easily recognizable- its pages are replicated on a poster-sized print outlining the progression of her research. The print features hand-scrawled notes\, sketches and observations. \nRachel Duckhouse is in the final stages of her residency with Wa­tershed+\, currently hosted by Telus Spark. Upon her return to the UK\, she hopes to enroll in future research-based residencies and continue working in response to environmental elements.  \n Watershed+ Artist Residency Program at Ralph Klein Park is a part­nership between the City of Calgary’s Public Art Program\, Utilities & Environmental Protection \nAbout the Artist\nRachel Duckhouse is a UK-based visual artist specialising in abstract\, geometric etchings and screenprints as well as highly detailed\, labour intensive pen and ink drawings. Her practice is both research based and process led and is often characterised by repeated geometric motifs and arrangements of multi-layered\, sculptural forms in 20. The complex patterns and systems in nature\, architecture and human behaviour form the basis of much of her work either directly as a focus of research\, or indirectly in the processes of production on a more intuitive level. \nRachel explores Calgary’s watershed as a complex\, multi-layered system\, and her research has focused on the living\, moving network of water Aow patterns underpinning every local landscape. \nRachel has exhibited in galleries in Canada\, the USA and the UK\, including the Royal Academy in London and the National Gallery in Edinburgh\, and her drawings\, screenprints and etchings have been acquired by the British Museum in London. \n 
URL:https://albertaprintmakers.com/event/wave-interference/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/08/06_Rachel_D.jpeg
END:VEVENT
END:VCALENDAR