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BEGIN:VEVENT
DTSTART;VALUE=DATE:20110420
DTEND;VALUE=DATE:20110605
DTSTAMP:20250801T162849Z
CREATED:20250801T162849Z
LAST-MODIFIED:20250801T162849Z
UID:10000264-1303257600-1307231999@albertaprintmakers.com
SUMMARY:Séripop
DESCRIPTION:Séripop – exhibition essay by Lisa Turner \nSéripop is the name under which Yannick Desranleau and Chloe Lum create screen-printed posters\, album covers\, books\, prints\, and most recently print installations. This Montreal duo has made a name for itself based primarily on their bold colours\, experimental\, graphic approach\, and pop aesthetic. \nInitially the two produced numerous screen-printed posters for their band AIDS Wolf\, and others; postering them around the cities they perform in. Over time the works were torn down\, collected\, obscured and covered by other promotions\, and the posters’ pristine appearance was transformed or destroyed by the elements. These days Séripop rarely produces posters in this vein\, and has since focused their creative energy on reinterpreting the poster and this experience. \nLa Battue\, an installation made for the gallery space draws on this history as Seripop employs screen-printed posters to cover the floor and walls of the gallery space. Prints are layered on top of each other as one would experience on the city streets – though this layering is perhaps not evident initially. A grinning face that consumes the majority of the floor space\, stares up at the viewer\, while a row of pyramids creates what looks like a crown\, hovering above it’s head on the wall. An anthropomorphic figure with the thought bubble “J’en ai rien à” meaning “I don’t give a” inhabits the wall space. \nBy presenting the urban inside the gallery\, Seripop aims to draw attention to the street poster as a topographical marker\, while commenting on the poster’s ephemeral state. As visitors attend the exhibition (and walk over the posters) the layers of prints are gradually revealed through the physical deterioration caused by this “foot traffic”. The work\, produced with standard industry poster paper\, can only withstand so much wear and tear; thus the piece is in constant state of flux as gallery-goers participate in an ongoing revision of the artwork. A camera provides daily documentation of this transformation\, culminating in the final “resolution” of the piece at exhibitions’ end. This result\, is suggested in the works’ title La Battue\, a term that is often used to describe the search for a missing person in the woods\, or a large manhunt. However the end result of the search is always uncertain\, much like the final state of the piece. \nSeen in this context\, the work may be viewed as a reinterpretation of the poster: subverting its traditional communicative function\, to act as a metaphor for change\, time\, accumulation\, and deterioration\, amongst other things. The work also draws attention to the commodity nature of works of art\, as Seripop challenges the traditional reverential presentation of “the object” within the gallery space. The poster\, taken from its everyday setting has been placed on display in the institution\, however it may ultimately suffer the same fate that it does out in the world. This metaphor raises interesting questions: Does the gallery serve to elevate the print from common advertising to fine art – breaking down the barrier between art and life – or does the institutionalization of this art form represent another kind of weather? In either case\, the resulting visual experience is rewarding\, and we as the viewers are richer for having engaged with the show.
URL:https://albertaprintmakers.com/event/seripop/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/04_Seripop.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110401
DTEND;VALUE=DATE:20250724
DTSTAMP:20250730T164653Z
CREATED:20250724T175248Z
LAST-MODIFIED:20250730T164653Z
UID:10000239-1301616000-1753315199@albertaprintmakers.com
SUMMARY:Local Imprint
DESCRIPTION:About the Exhibition\nA/P is organizing\, Local Imprint\, a juried exhibition for A/P members to showcase their work. \n\nThis exhibition is intended to: \n\nCelebrate A/P members while welcoming new and returning members\nFoster community through an inclusive group exhibition\nConnect with local and global printmakers and showcase the breadth and depth of their print-based work\nPromote sales that will support individual artists and raise funds for sustaining A/P’s community programs\n\n  \nArtists included in the exhibition: \nAlden Alfon\, Elizabeth Allen\, Carole Bondaroff\, Rosemary Brown\, Katherine Cregan\, Irén Gibson\, Kenzie Housego\, Ursula Knight\, Eveline Kolijn\, Kathryn Mathias\, Larissa McLean\, Michael Leeb\, Shinobu Mitsuashi\, Sara Norquay\, Anne Petrie\, Stan Phelps\, Carrie Phillips-Kieser\, Evan Smibert\, Heather Stump\, Margot Van Lindenberg\, Caitlin Wells\, Andie Wicherts\, Andrea Williamson\, Tracy Wormsbecker\,
URL:https://albertaprintmakers.com/event/local-imprint/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
ORGANIZER;CN="Alberta Printmakers":MAILTO:director@albertaprintmakers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110302
DTEND;VALUE=DATE:20110410
DTSTAMP:20250801T162311Z
CREATED:20250801T162230Z
LAST-MODIFIED:20250801T162311Z
UID:10000263-1299024000-1302393599@albertaprintmakers.com
SUMMARY:hole/whole
DESCRIPTION:About the Exhibition\nhole/whole – exhibition essay by Carrie Phillips-Kieser  \nThe Pearls that long have slept\, These were tears by Naiads wept.\nSir Walter Scott in The Bridal of Triermain\, 1813 \n Learn from yon orient shell to love thy foe\,\nAnd store with pearls the wound that brings thee woe.\nPersian Poet\, Hafiz\, 1320 \nThrough the loaded iconography of the pearl\, Calgary based artist Kim Huynh’s series of lithographic prints\, hole/whole\, speaks of the interconnectivity of our personal desires of accumulation and its affects on the destruction of our environment\, within a collective culture of capitalism and globalization. \nThe pearl has a long history of being associated as an object of desire\, a symbol of luxury and opulence. This gem of the sea\, according to Pliny in the 1st century\, ranked first in value among all precious things and in fact Servilia\, the mother of Brutus wore ” the spoils of nations in an ear changed to the treasure of a shell”. In the Chinese tradition the image of the pearl symbolizes riches and pure intentions. Huynh effectively illustrates the true meaning of the word “luxury”; the lasciviousness\, the sinful\, self-indulgence\, through its image. The sheer number of pearls\, draping\, piling\, gathered\, is evocative of our own indulgence and of our desire to collect commodities at the expense of the beauty in rarity. At the same time\, the pearl/oyster\, a natural product of our oceans\, is a representation of the sea. Depicted in such numbers\, the pearl\, here\, also stands as an example of the reaping\, the depletion and ultimate destruction of its delicate balance. \nAs we follow through Huynh’s images\, the personal begins to erode from view with the slow eradication of the figure. \nThe established perceptions become less than whole. The pearl slowly becomes replaced with mechanically punched circular holes\, like ourselves as our personal actions dissolve and become blurred into the collective. The seduction of the pearl is still evident through the cut away and continues to allude to the seduction of capitalism. As cultures\, globally\, are falling victim to its seduction and “comfortable” lifestyle\, past ways of life are being dissolved. Punched holes – a visual connection to a mechanized and industrial world\, removes our personal responsibility and projects that responsibility onto the culture of capitalism itself. The removal of ourselves (the figure)\, perhaps\, pushes us further into unachievable change or responsibility. With the removal of imagery completely and the replacement of symbols of pieces from the ancient warfare game\, Xiangqi or Chinese Chess\, the work becomes didactic. These last pieces leave us to question our current state of affairs and presents us with the questions-ls it now time to take our turn in the role that has just been presented to us? \nIf the chaste and subdued beauty of the pearl can also stand as a symbol of a tear\, hole/whole cries out a message. Kim Huynh’s piece is a powerful and instructive piece that can indeed provide us with “moments of individual and collective reflection” if only we listen.
URL:https://albertaprintmakers.com/event/hole-whole/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/05_KimHuynh.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20110112T080000
DTEND;TZID=America/Edmonton:20110219T170000
DTSTAMP:20250801T175713Z
CREATED:20250801T161250Z
LAST-MODIFIED:20250801T175713Z
UID:10000262-1294819200-1298134800@albertaprintmakers.com
SUMMARY:Retreating Agassiz
DESCRIPTION:About the Exhibition \nRetreating Agassiz – exhibition essay by Romy Straathof \nIn searching for what underlies the visible\, Jeanette Johns’ series of prints Retreating Agassiz\, reveal how the unknown and unseen can give context and meaning to ones sense and experience of place. Taking the widest macro-view in both a physical framework and through the concept of time\, Johns traverses millennia\, and discovers ways to insert something of herself into a collective history of place that she asserts belongs to “all of us.” It is a collective history of a time that would not be named or marked until the recent past; nonetheless\, it is an inherited history whose relics and traces remain to impact the lives of those who take care to notice. \nThe (six) prints of Retreating Agassiz communicate through the languages of mapping\, asking to be read\, however\, it is soon realized that the information presented is at the same time recognizable through map-like symbols and obscure\, – there are no reference points. Each print is what Johns refers to as a ‘snapshot’ of time (although in this case each ‘snapshot’ encompasses time periods of 300 to 1200 years) that show the presumed movement of ancient glacial Lake Agassiz\, during its 4\,500-year existence. \nEmerging as meltwater from a monumental sheet of ice that was in some places nearly 4 km thick\, the lake at its peak\, was the largest glacial lake in North America and covered all of Manitoba\, as well as several neighbouring provinces and states. The provincial landscape in which the artist grew up\, had emerged from a series of glacial advances\, retreats and subsequent drainage of the lake. Each glacial period partially erased the wounds and formations of the previous; each of the prints in the series Retreating Agassiz attempts to separate the layers of this palimpsest. \nThe languages of printmaking allow the artist to work in layers; photo-etching\, screenprinting\, hand-drawn marks\, and application of gold leaf\, reflecting layers of geophysical process\, layers of time\, and layers of understanding. In looking for patterns that connect place\, time\, purpose and identity\, Johns’ maps become pattern\, geographical elements become forms\, and the shadows of what no longer exists is rendered in goldleaf\, as if to mark their presence as recorded\, preserved\, eternal and precious. It was not until 1879\, that Lake Agassiz was named and accepted in scientific circles as having formerly existed. But\, to the artist and fellow inhabitants of the province\, the traces of Lake Agassiz are familiar\, and the story  of the lake is a legend embedded in their inherited past. The vast movement of the lake is revealed strikingly through the six views\, animated and glistening. \nThrough observation and connecting\, Johns closes a gap between what is seen and what exists in traces and myth. By inserting the ancient lake into her work\, she decodes the familiar landscape\, and becomes documentarist of the vast history\, bringing to those of us who observe her work\, an understanding of our place and identity in this history of place. In revealing the foundations of place the artist inserts something of herself into the records of the past\, and brings the past to our present. In finding Lake Agassiz\, Johns finds context in place.
URL:https://albertaprintmakers.com/event/retreating-agassiz/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/06_JeanetteJ.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101117
DTEND;VALUE=DATE:20101219
DTSTAMP:20250730T164704Z
CREATED:20250724T175348Z
LAST-MODIFIED:20250730T164704Z
UID:10000240-1289952000-1292716799@albertaprintmakers.com
SUMMARY:2010 Members Show and Sale
DESCRIPTION:About the Exhibition\nEach year\, the Artist Proof Gallery holds a members’ show and sale to showcase the work of Alberta print artists\, and to provide an opportunity for members of the society to exhibit and sell their prints. \n  \n\nArtists included in the exhibition: \nAlden Alfon\, Debra Ansell\, Carole Bondaroff\, Rosemary Brown\, Wayne Haglund\, Lexie Harding\, Heather Huston\, Judith Klugerman\, Eveline Kolijn\, Shinobu Mitsuhashi\, Bobbie Olson\, Anne Petrie\, Carrie Phillips-Kieser\, Leya Russel\, Evan Smibert\, Wendy Tokaryk\, Margot Van Lindenberg\, Rosanne Visser\, Anne Watson \n  \n 
URL:https://albertaprintmakers.com/event/2010-members-show-and-sale/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
ORGANIZER;CN="Alberta Printmakers":MAILTO:director@albertaprintmakers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100115
DTEND;VALUE=DATE:20100206
DTSTAMP:20250730T164720Z
CREATED:20250724T175417Z
LAST-MODIFIED:20250730T164720Z
UID:10000241-1263513600-1265414399@albertaprintmakers.com
SUMMARY:Contexture: New Directions and Intersections in Printmaking
DESCRIPTION:About the Exhibition:\nContexture: New Directions and Intersections in Printmaking is an A/P exhibition in conjunction with Art Stroll 2010\, in partnership and hosted at The Untitled Art Society main gallery space. \n  \n\nArtists included in the exhibition: \nSherri Blase\, Carole Bondaroff\, Jill Ho-You\, Heather Huston\, Eveline Kolijn\, Michael Leeb\, Carrie Phillips-Kieser\, Lisa Turner \n  \n 
URL:https://albertaprintmakers.com/event/contexture-new-directions-and-intersections-in-printmaking/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/A1D1700F-D03F-46E4-BCB4-F9AEE8DF6AF7_1_201_a-e1753833259245.jpeg
ORGANIZER;CN="Alberta Printmakers":MAILTO:director@albertaprintmakers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20091125
DTEND;VALUE=DATE:20091220
DTSTAMP:20250730T164732Z
CREATED:20250724T170353Z
LAST-MODIFIED:20250730T164732Z
UID:10000242-1259107200-1261267199@albertaprintmakers.com
SUMMARY:2009 Mini-Print Exhibition
DESCRIPTION:About the Exhibition\nThe Members’ Mini-Print Show and Sale will be held at the Artist Proof Gallery. We are looking for prints with a maximum size of 12″ x 12″. \nThe exhibition showcases the work of Alberta print artists\, and provides an opportunity for members of the Society to exhibit and sell their prints. The sale also functions as a fundraiser for the Alberta Printmakers’ Society\, as 50% of the proceeds from the sale of each piece goes to the gallery in support of A/P’s artistic and educational programming. \n  \nArtists included in the exhibition: \nElizabeth Allen\, Carole Bondaroff\, Meredith Chapman\, Maria Doering\, Judith Klugerman\, Christie Kirchner\, Eveline Kolijn\, Heather Huston\, Michael Leeb\, Shinobu Mitsuhashi\, Sara Norquay\, Stan Phelps\, Carrie Phillips-Kieser\, Wendy Tokaryk\, Lisa Turner\, Anne Watson\, Andie Wicherts\, Concetta Zurzolo
URL:https://albertaprintmakers.com/event/2009-mini-print-exhibition/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
ORGANIZER;CN="Alberta Printmakers":MAILTO:director@albertaprintmakers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20081211
DTEND;VALUE=DATE:20081225
DTSTAMP:20250730T164618Z
CREATED:20250724T170210Z
LAST-MODIFIED:20250730T164618Z
UID:10000243-1228953600-1230163199@albertaprintmakers.com
SUMMARY:Scratch n'Bite
DESCRIPTION:2008 Mini-Print Exhibition\nScratch n’Bite\, this years Mini-Print Show and Sale\, is an open non-juried exhibition held in the Artist Proof Gallery. We are looking for prints with a maximum size of 12″ x 12″. \nThe exhibition showcases the work of Alberta print artists\, and provides an opportunity for members of the Society to exhibit and sell their prints. The sale also functions as a fundraiser for the Alberta Printmakers’ Society\, as 50% of the proceeds from the sale of each piece goes to the gallery in support of A/P’s artistic and educational programming. \n  \nArtists included in the exhibition: \nElizabeth Allen\, Carole Bondaroff\, Rosemary Brown\, Connie Carruthers\, Jessica Gowling\, Jill Ho-You\, Heather Huston\, Kim Huynh\, Megan Jackson\, Ursula Knight\, Eveline Kolijn\, Michael Leeb\, Paulette Michayluk\, Nancy Osadchuk\, Joel Qualle\, Koren Scott\, Sandia Vida\, Joan Wieser\, Kataryzna Wojdyla\, Ada Yan
URL:https://albertaprintmakers.com/event/scratch-nbite/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20081023
DTEND;VALUE=DATE:20081124
DTSTAMP:20250822T203605Z
CREATED:20250822T203605Z
LAST-MODIFIED:20250822T203605Z
UID:10000358-1224720000-1227484799@albertaprintmakers.com
SUMMARY:Echo
DESCRIPTION:About the Exhibition\nThis exhibition is part of an exchange between the Alberta Printmakers Society and Graphic Studio in Alkmaar\, the Netherlands.  \nExhibition Essay Written by Eveline Kolijn \nDuring medieval times in Europe\, landlords from the Low Countries started to grant privileges to settlements to stimulate the establishment of cities. These privileges were called city-rights. They fostered economic growth and led to increased political autonomy of the city. In 2004\, the City of Alkmaar in the Netherlands celebrated the fact that they received their city-rights 750 years ago. Grafisch Atelier Allmaar\, a printmaking collective\, participated in the anniversary festivities by producing a portfolio of twenty original fine- art prints\, printed in an edition of forty. \nTheir involvement began in 2003 when twenty local print media artists were invited by the Municipal Museum of Alkmaar (Stedelijk Museum Alkmaar) to make prints based on their collection. The museum’s collection reflects the history of customs\, thoughts and events throughout the city’s existence. For their inspiration\, artists selected monumental paintings by local and famous Dutch Masters\, antique tiles\, seals\, decorated gablestones\, children’s toys\, old pictures\, maquette\, pottery and old-fashioned laboratory equipment. The resulting prints reference these objects and images; they are a reflection from the past. Echo is the title of the portfolio. They were exhibited next to their chosen source in the anniversary-exhibition of the museum. Jhim Lamoree\, editor from the national newspaper Het Parool\, wrote in the forward of the exhibition catalogue\, “that the twenty diverse prints\, which have been made in response to the different objects of the museum collection\, are an echo of those objects\, which in their turn become an echo of modern printmaking. This demonstrates that a museum is not a static institution\, but can be an incubator of contemporary art.” \nThe echoes of this print portfolio have reverberated beyond the Netherlands. A year ago\, Alberta Printmakers Society approached the Grafisch Atelier Alkmaar with a proposal to organize a print-exchange. The Alkmaar printmakers agreed enthusiastically and they open the exchange with the exhibition of their anniversary portfolio\, Echo\, in Calgary. They have kindly donated this portfolio\, which now becomes part of the Alberta Printmakers Society’s archive. A juried selection of prints from Alberta Printmakers Society’s members will will be exhibited in Alkmaar in January 2009. \n  \nParticipating Alkmaar Artists: Dave Akkerman\, Jos van Amsterdam\, Pauline Bakker\, Patrick Bergsma\, Corrie Breed\, Jan Deckwitz\, Joyce Ennik\, Mels de Gooyer\, Gerben Hermanus\, Marijalic\, Madeleine Leddy\, Mans Lenards\, Mario Passamani\, Hanneke Saaltink\, Ivon Spee\, Erik Tierolf\, Tineke Tukker\, Marja Vleugel\, Cora Vries and Jaap Zomer. \n 
URL:https://albertaprintmakers.com/event/echo/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/08/01_Echo-e1755894743226.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20080104
DTEND;VALUE=DATE:20080205
DTSTAMP:20250822T204732Z
CREATED:20250822T204732Z
LAST-MODIFIED:20250822T204732Z
UID:10000359-1199404800-1202169599@albertaprintmakers.com
SUMMARY:Permeable
DESCRIPTION:About the Exhibition\nExhibition curated\, and Essay written\, by Kim Huynh \nIn the focus of today’s Capitalism\, where daily routines depend on time and place\, our Consumer driven environment can be quickly changed by the impact of a social political event. As some present situations\, economists are watching the USA election\, Pakistani opposition leader Benazir Bhutto ‘s assassination has disrupted the Middle East’s oil market\, while in our own backyard\, British Columbia is working out its municipal balance for the 2010 Olympic in hope for an improvement on the economy through tourism. As time and place constantly shift and events often concur with a social- political movement\, our quality of life is blurred by the needs of communities and corporations\, and no longer a focus of individualism. One of the pressures upon Canadian society is to “move along”\, “blend in” or “be a part of a larger whole”. This slogan is also drummed into our emotional and intellectual selves. Who are we\, and how do we relate to our loved ones at the end of the day? \nIn Jill Ho-You ‘s print- media\, she cleverly situates a parallel paradigm where the duality of Violence vs. Civility is played out in contemporary life. Beautiful and delicate etchings of a colony of insects are developed through stages on rice paper; then\, cut-out and carefully pinned onto the body of a supporting paper revealing various layers of the relief work. Parts of the paper have been beat up\, ripped open and pounded into the body by a forceful act\, which allow the contents of the stained newspaper to be identified. The juxtaposition of two acts questions its relationship by a same hand: a hand of caring and nurturing\, and the same hand of anger and deconstruction. How do these human qualities co-exist in the same person\, and how do they co- coincide in human interaction today\, which remains a mystery of our continuing human development. \nAnother concern of human development in this exhibition is the series of Self-Portraiture by Melanie Wilmink. Intricate layers of drawings lay on top of one another with poetic mark-makings and abstractive provocation. A process that allows intuition of plays\, work and re-work to occur within the same chance. The printmaking procedure of working with chemicals and pigments is set\, but all conditions are shifted and free of interplay to challenge the locale of the self and the parameters of the self. In the process of developing identity\, how far can we expand from the centre before we recognize it is too far from “the core”? Or\, is any point in the process a collection of self and identity? Given the fact that the locale of the self rests on an ever -changing time and place\, the process of understanding one’s identity is also not fixed. One could say that over time\, one recognizes the pattern of behavior of self and the consistency of its patterns give clues to the understanding of an identity. \nOn the contrary\, Alana Tyson ‘s focus is from outside in. The artist pursues the essence of Beauty by looking at the external social-cultural values played on an individual. The classic binary of external and internal Beauty is sometimes inter- changed due to conflicting messages in the society. The issue of Beauty has held a controversial place in the history of the West over the last two centuries\, and has become ever more complicated in Consumerism today. Tyson provides examples of how virtues of a woman were viewed and conditioned in the West through 1 constructions of Gothic architectural designs\, and etchings of women in various rituals over various times. Careful manipulation of material\, symbolism and the ancient technique of printmaking to speak about the classic issues of the past and that continue to exist today. Intricate design of dark silver boxes (like metal) and architectural arches appear handsome and serious; however\, a closer look at these containers reveals a light foamy plastic facade. The realization of the material shreds new light on the inner value and adds another layer of reading to the work. Juxtaposed with the use of the dark silver containers\, inside\, Tyson provides a contrasting material of red silk\, images of altars and various Biblical figures as examples of virtues that a woman is supposed to hold in history. \nMarigold Santos provides four pieces of print media\, which address a divergence of Private vs. Public\, Role Play at home\, and its projection into the external world. Elegant drawings consist of a young girl in animal likeness and of three -dimensional stuffed animals personify human form. In place of a child as a protagonist\, Santos’ beautiful manipulation of animal and human’s inter-change/play provides a narrative in between a fairy tale and a critique of contemporary literature. Viewers are drawn into the simple naïve suggestive element in pastel colors and are encouraged to make sense of them; however\, there is no storyline. Each panel is like an adjective; the artist is carefully operating on the syntax of meaning without giving out the story. This playfulness constructed between author and readers demonstrates another essence in child’s play. Santos posits the concern of role-play between a young girl and two cats at home\, and how they transcribe into future roles\, and how far or near the relationship between animal and human? …All of which are possible readings to these works. \nAlthough each work from these four artists provides a different issue in human values in an unstable environment\, one certainty is that none of these concerns will rest on a fixed point in the journey of human development\, since each quality of human value attaches to social-cultural symbolic significance. As members of a society\, we can’t help but hold on to each duality of human characteristics in a unique division to provide security and comfort. Each shifting point in this human development transgresses through time and place\, and the concerns in these art works reflect unsettled distinctions between order and chaos by presenting material and value continuity between these states of human transgression. \n  \nArtists: Jill Ho-You\, Marigold Santos\, Alana Tyson\, Melanie Wilmink
URL:https://albertaprintmakers.com/event/permeable/
LOCATION:Alberta
CATEGORIES:Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/08/02_Permeable-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20071201
DTEND;VALUE=DATE:20071231
DTSTAMP:20250726T184856Z
CREATED:20250725T051307Z
LAST-MODIFIED:20250726T184856Z
UID:10000246-1196467200-1199059199@albertaprintmakers.com
SUMMARY:2007 Mini-Print Exhibition
DESCRIPTION:About the Exhibition\nThe Members’ Mini-Print Show and Sale will be held at the Artist Proof Gallery. We are looking for prints with a maximum size of 12″ x 12″. \nThe exhibition showcases the work of Alberta print artists\, and provides an opportunity for members of the Society to exhibit and sell their prints. The sale also functions as a fundraiser for the Alberta Printmakers’ Society\, as 50% of the proceeds from the sale of each piece goes to the gallery in support of A/P’s artistic and educational programming. \n  \nArtists included in the exhibition: \nElizabeth Allen\, Alden Alfon\, Megan Armstrong\, Hannah Bennett\, Rosemary Brown\, Bill Dixon\, Lindsay Everatt\, Marnie Fallon\, Dacia Fauth\, Jill Ho-You\, Heather Huston\, Kim Huynh\, Milo Jones\, Carrie Phillips-Kieser\, Eveline Kolijn\, Setsuko Moulton\, Holly McWilliams\, Rebekah Miller\, Paulette Michayluk\, Marijke Nap\, Gary Olson\, Nancy Osadchuk\, Keith Poon\, Marcus Riedner\, Colleen Rauscher\, Jo-Ann Sheen\, Lauren Simms\, Kimberly Simpson\, Brianna Strong\, Barbara Sutherland\, Jenny Trinh\, Sandra Vida\, Ryan Wolters\, Joan Wieser\, Melanie Wilmink\, Darcy Wilson\, Ada Yan
URL:https://albertaprintmakers.com/event/2007-mini-print-exhibition/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20070507
DTEND;VALUE=DATE:20070609
DTSTAMP:20250724T181457Z
CREATED:20250724T175547Z
LAST-MODIFIED:20250724T181457Z
UID:10000237-1178496000-1181347199@albertaprintmakers.com
SUMMARY:The Light of Day
DESCRIPTION:About the Exhibition\nAll printmakers are familiar with the tradition of the Print Portfolio Exchange\, those collections of works that represent the best of what’s unique to the medium; a democratic sharing of visual images\, an ability to amass a wealth of original art\, and in a world full of “stuff” – a rational motive to create multiples. The resulting portfolios represent a special gift shared amongst colleagues\, lovingly crafted and showcasing diversity of media and approach.  \nThe unfortunate truth of this\, of course\, is that often\, all but the most favourite disappear into boxes that reside under beds\, in drawers and cupboards and storage shelves\, rarely again to see the light of day.  \nGuessing at this probable fate of my own contributions to portfolios over the years\, this exhibition is a selection of prints from the last dozen years\, primarily from exchanges\, with a couple extras thrown in. Sometimes themed\, sometimes not\, these prints are really a series of “one-offs” outside my regular body of work; a chance to respond to external content criteria\, to explore silly ideas\, to riff on past work or poke at friends. They represent my eclectic visual interests and love of printmaking.
URL:https://albertaprintmakers.com/event/the-light-of-day/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
ORGANIZER;CN="Alberta Printmakers":MAILTO:director@albertaprintmakers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20070315
DTEND;VALUE=DATE:20070429
DTSTAMP:20250724T181510Z
CREATED:20250724T175520Z
LAST-MODIFIED:20250724T181510Z
UID:10000236-1173916800-1177804799@albertaprintmakers.com
SUMMARY:III Communication
DESCRIPTION:About the Exhibition\nOn April 21\, 2007 Artist Proof Gallery will be holding a closing reception for Mikhail Miller’Lajeunesse’s exhibition titled III Communication. The installation by this emerging artist presents a contrast between brightly silk-screened wood “speech-bubbles” and grotesque humanoid wood-cut prints on paper. The work displays the congruence and elasticity of communication that we face on a day to day basis. In conjunction with Lajeunesse’s reception\, A/P will also hold a T-Shirt Fundraiser. The trendy T’s are hand screened\, one of a kind works of art produced by Mikhail\, Lindsay Everatt and Darcy Obokata. Many thanks to Sosa Original Clothing for sponsoring the shirts and ink used for this fundraiser.  \n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/iii-communication/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
ORGANIZER;CN="Alberta Printmakers":MAILTO:director@albertaprintmakers.com
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20070119
DTEND;VALUE=DATE:20070222
DTSTAMP:20250724T181650Z
CREATED:20250724T175445Z
LAST-MODIFIED:20250724T181650Z
UID:10000235-1169164800-1172102399@albertaprintmakers.com
SUMMARY:The Halloween Costume Series
DESCRIPTION:Join us for Marijke Nap’s\, The Halloween Costume Series\, this January. This exhibition marks the opening of the A/P Gallery at 2010F 11 Street SE. \n  \n  \n  \n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/the-halloween-costume-series/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20061201
DTEND;VALUE=DATE:20061222
DTSTAMP:20250730T164251Z
CREATED:20250724T175128Z
LAST-MODIFIED:20250730T164251Z
UID:10000233-1164931200-1166745599@albertaprintmakers.com
SUMMARY:2006 Micro-Mini Print Exhibition
DESCRIPTION:About the Exhibition\nA/P is launching our fifth annual Micro-Mini Print Project. \nMembers are invited to participate in our annual fundraiser of micro-mini prints. We are looking for prints with a maximum size of 9 square inches. The work will be on view at our brand new A/P Gallery Space\, located in our new studios at 2010F 11 St SE! \n  \nArtist: Group Show\n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/2006-micro-mini-print-exhibition/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20060801
DTEND;VALUE=DATE:20060809
DTSTAMP:20250730T164230Z
CREATED:20250724T174904Z
LAST-MODIFIED:20250730T164230Z
UID:10000234-1154390400-1155081599@albertaprintmakers.com
SUMMARY:History\, Memory\, and Place
DESCRIPTION:About the Exhibition\nHistory\, Memory\, and Place is a fundraiser and exhibition that will help generate the funds to support A/P as we relocate into our new studio space. It will be on view for one week at Image 54\, 2006. \n  \nArtist: Group Show\n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/history-memory-and-place/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:20060502T080000
DTEND;TZID=America/Edmonton:20060502T170000
DTSTAMP:20250730T164209Z
CREATED:20250724T174842Z
LAST-MODIFIED:20250730T164209Z
UID:10000232-1146556800-1146589200@albertaprintmakers.com
SUMMARY:2006 Members Show
DESCRIPTION:About the Exhibition\nThis year’s annual members exhibition will be held at Art Central. This is a exciting exhibition featuring both new and veteran members of A/P. \n  \nArtist: Group Show\n  \n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/2006-members-show/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20051215
DTEND;VALUE=DATE:20051230
DTSTAMP:20250730T164408Z
CREATED:20250724T174700Z
LAST-MODIFIED:20250730T164408Z
UID:10000230-1134604800-1135900799@albertaprintmakers.com
SUMMARY:2005 Micro-Mini Print Exhibition
DESCRIPTION:About the Exhibition\nA/P is launching our third annual Micro-Mini Print Project! \nMembers are invited to participate in our fundraiser of micro-mini prints! We are looking for prints with a maximum size of 9 square inches. The work will be on view at Gallery Image 54 throughout December\, 2005. \n  \nArtist: Group Show\n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/2005-micro-mini-print-exhibition/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20041101
DTEND;VALUE=DATE:20041202
DTSTAMP:20250730T164352Z
CREATED:20250724T174551Z
LAST-MODIFIED:20250730T164352Z
UID:10000225-1099267200-1101945599@albertaprintmakers.com
SUMMARY:2004 Micro-Mini Print Exhibition
DESCRIPTION:About the Exhibition\nA/P is launching our third annual Micro-Mini Print Project! \nMembers are invited to participate in our fundraiser of micro-mini prints! We are looking for prints with a maximum size of 9 square inches. The work will be on view at Gallery Image 54 for December\, 2003 as part of an “Affordable Art” show\, sale\, and fundraiser. \n  \nArtist: Group Show\n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/2004-micro-mini-print-exhibition/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20041001
DTEND;VALUE=DATE:20041002
DTSTAMP:20250730T163733Z
CREATED:20250724T174416Z
LAST-MODIFIED:20250730T163733Z
UID:10000228-1096588800-1096675199@albertaprintmakers.com
SUMMARY:Sunlife Building Display
DESCRIPTION:About the Exhibition\nA/P has been invited to fill the ground-floor lobby display windows of the Sunlife Building\, located in Downtown Calgary\, for the month of October. We have the opportunity to showcase 18 small-scale works within these displays\, and therefore\, this will be a short but sweet non-juried members exhibition! \n  \nArtist: Group Show\n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/sunlife-building-display/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20040529
DTEND;VALUE=DATE:20040530
DTSTAMP:20250730T163748Z
CREATED:20250724T174348Z
LAST-MODIFIED:20250730T163748Z
UID:10000227-1085788800-1085875199@albertaprintmakers.com
SUMMARY:A/P and Friends
DESCRIPTION:About the Exhibition\nThe Alberta Printmakers’ Society\, generously hosted by the Triangle Gallery\, is offering Calgary art enthusiasts an opportunity to own orginal prints by artists across Alberta and the Western provinces. This one-day sale will present a wide variety of print media and styles. The sales will both benefit the artists and raise funds for operating the studio. \nThis is a collaboration between A/P\, SNAP\, Malaspina & Dundarave (Vancouver)\, Manitoba Printmakers\, and the printmaking faculties of U of C and U of A. We received 450 prints altogether for this joint exhibition and fundraising print sale! Following the one-day sale\, the remaining prints will go on view at Gallery San Chun.  \n  \nArtists included in the exhibition from A/P and SNAP:\nJustin T. Acton\, Melanie Aikenhead\, Elizabeth Allen\, Amy Archer\, Meghan Armstrong\, Janet Biagioni\, Carole Bondaroff\, Dawn Davies\, Pattie Dawkins\, Debra Dedyluk\, Marjan Eggermont\, Gwen Frank\, Cathrine Green\, Jen Hamm\, Tracy Harris\, Kelly Haydon\, Ruth Helton\, Heather Huston\, Erik Waterkotte\, Doreen Johns\, Milo Jones\, Pat Jones\, Clara Kim\, Ursula Knight\, Eveline Kolyn\, Mona Leavitt\, Dianna Loveland\, Janet Lowry\, Helen Mackie\, Holly McWilliams\, Nick Meijer-Drew’s\, Linda Mercer\, Christi Mulder\, Christina Nalder\, Gary Olson\, Nancy Osadchuk\, Stan Phelps\, Lucille T. Piluti\, Susan Quipp\, Ron Robinson\, Marc Stegner\, Teresa Stieben\, Ken Webb\, Jim Westergard\, Andie Wicherts\, Joan Wiese\, John Will
URL:https://albertaprintmakers.com/event/a-p-and-friends/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/4EDCF6B7-20D2-4F1F-AB5D-EE363BF10B60_1_201_a.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20031202
DTEND;VALUE=DATE:20031229
DTSTAMP:20250730T163957Z
CREATED:20250724T173950Z
LAST-MODIFIED:20250730T163957Z
UID:10000224-1070323200-1072655999@albertaprintmakers.com
SUMMARY:2003 Micro-Mini Print Exhibition
DESCRIPTION:About the Exhibition\nA/P is launching our second annual Micro-Mini Print Project! \nMembers are invited to participate in this fundraiser of micro-mini prints! We are looking for prints with a maximum size of 9 square inches. Paper and supports should be no larger than 8″ x 8″. The work will be on view at Gallery San Chun for December\, 2003. \n  \nArtist: Group Show\n  \n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/2003-micro-mini-print-exhibition/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/12_Micro2003_Scan-e1753833335572.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20030917
DTEND;VALUE=DATE:20031010
DTSTAMP:20250730T163821Z
CREATED:20250724T173836Z
LAST-MODIFIED:20250730T163821Z
UID:10000221-1063756800-1065743999@albertaprintmakers.com
SUMMARY:2003 ArtWalk
DESCRIPTION:About the Exhibition\nThis year’s annual ArtWalk festival will be held in September. 61 pieces from 24 A/P members will be on display at Image 54. \nSpecial thanks to Liz Allen and Doreen John for arranging and coding prints\, as well as Allen and Pat Chisholm for arranging their return to the A/P studios! \n\nArtist: Group Show\n  \n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/2003-artwalk/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20030727
DTEND;VALUE=DATE:20030825
DTSTAMP:20250730T163804Z
CREATED:20250724T173741Z
LAST-MODIFIED:20250730T163804Z
UID:10000222-1059264000-1061769599@albertaprintmakers.com
SUMMARY:Interconnections
DESCRIPTION:About the Exhibition\nInterconnections\, will be shown at San Chun Gallery\, this July. It is a collaboration between A/P\, SNAP of Edmonton\, and a group of Japanese printmakers. It’s designed in two parts; a juried show of limited size prints\, open to all members of the group and an invited artists show\, limited to 7 printmakers from each group.  \nWe are especially indebted to Christina Nalder\, who spent many hours working with Koichi Kiyono\, artist in residence at U-of-C\, who conceived the show. Also thanks to the large crew\, which included families of members\, who helped with the cheap but labour intensive installation of over 100 prints. We also owe a lot to Mee Yun and Ryan\, of San Chun Gallery.  \n  \nArtist: Group Show\n 
URL:https://albertaprintmakers.com/event/interconnections/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20021210
DTEND;VALUE=DATE:20021230
DTSTAMP:20250730T163311Z
CREATED:20250724T173657Z
LAST-MODIFIED:20250730T163311Z
UID:10000223-1039478400-1041206399@albertaprintmakers.com
SUMMARY:2002 Micro-Mini Print Exhibition
DESCRIPTION:About the Exhibition\nA/P is launching our first Micro-Mini Print Project! \nMembers are invited to participate in this non-juried fundraiser of micro-mini prints! We are looking for prints with a maximum size of 2″ x 2″. Paper and supports should be no larger than 8″ x 8″. The work will be on view at Gallery San Chun for December\, 2002. \n  \nArtist: Group Show\n  \n  \n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/2002-micro-mini-print-exhibition/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/13_Mirco2002_Scan-e1753833299398.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20020422
DTEND;VALUE=DATE:20020429
DTSTAMP:20250730T163407Z
CREATED:20250724T173513Z
LAST-MODIFIED:20250730T163407Z
UID:10000220-1019433600-1020038399@albertaprintmakers.com
SUMMARY:Chicken Scratch
DESCRIPTION:About the Exhibition: \nChicken Scratch is organized by A/P\, and opens at The Little Gallery\, University of Calgary\, on April 22\, 2002. \n  \nArtist: Group Show\n  \n  \n  \n  \n 
URL:https://albertaprintmakers.com/event/chicken-scratch/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20010114
DTEND;VALUE=DATE:20011105
DTSTAMP:20250730T162114Z
CREATED:20250724T173434Z
LAST-MODIFIED:20250730T162114Z
UID:10000219-979430400-1004918399@albertaprintmakers.com
SUMMARY:Great Big Prints
DESCRIPTION:About the Exhibition\nThis project required that the prints submitted be a 30” x 30” minimum. Therefore\, A/P members evolved a number of very innovative methods to solve the problems and create a selection of amazing\, and large\, prints. There re twenty pieces from A/P members within the exhibition. Each artist created an edition size of 7.  \nThese larger-than-life prints will go on tour and exhibit in; The Untitled Art Society\, Gallery San Chun\, and The McMullen Art Gallery\, located within the University of Alberta. \n  \nArtist: Group Show\n  \nDates:\nJanuary 14 – February 4: Untitled Art Society \nJune – July: Gallery San Chun \nAugust 25 – November 4: McMullen Art Gallery
URL:https://albertaprintmakers.com/event/great-big-prints/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/12_BigandBrave_Scan.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Edmonton:19990902T080000
DTEND;TZID=America/Edmonton:19991011T170000
DTSTAMP:20250730T163420Z
CREATED:20250724T173345Z
LAST-MODIFIED:20250730T163420Z
UID:10000218-936259200-939661200@albertaprintmakers.com
SUMMARY:X - A Commemorative Exhibition of the Alberta Printmakers’ Society
DESCRIPTION:About the Exhibition:  \nX – A Commemorative Exhibition of the Alberta Printmakers’ Society\, celebrates the 10th year anniversary of The Alberta Printmakers’ Society. This is a second iteration of this exhibition\, the first having been on view at Gallery San Chun in the winter. \nArtists included in the Portfolio and exhibition include:  \nCarolyn Qualle\, Elizabeth Allen\, Daniel Grisdale\, James McDougall\, Marjan Eggermont\, Carl Danker\, Mary Baranowski-Lowden\, Colleen Shepstone\, Bill Laing\, Gwen Frank\, Heather Urness\, Carole Bondaroff\, Ursula Knight\, Linda Mercer\, Diane Zansadny\, Joan Wieser\, Meeyun Hun\, Brad Harms\, Leanne Erikson\, Jo Ann Robinson\, Helen Mackie\, Wendy Warawa\, Andie Wicherts\, Patty Wild\, Deborah Yzerman \n 
URL:https://albertaprintmakers.com/event/x-a-commemorative-exhibition-of-the-alberta-printmakers-society/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/jpeg:https://albertaprintmakers.com/wp-content/uploads/2025/07/X_Scan_02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:19990223
DTEND;VALUE=DATE:19990322
DTSTAMP:20250730T163450Z
CREATED:20250724T173309Z
LAST-MODIFIED:20250730T163450Z
UID:10000217-919728000-922060799@albertaprintmakers.com
SUMMARY:X
DESCRIPTION:Alberta Printmakers 10th Anniversary Portfolio: X \nX\, celebrates the 10th year anniversary of The Alberta Printmakers’ Society. 26 members will exhibit work at Gallery San Chun.  \n  \nArtists included in the Portfolio and exhibition include:  \nCarolyn Qualle\, Elizabeth Allen\, Daniel Grisdale\, James McDougall\, Marjan Eggermont\, Carl Danker\, Mary Baranowski-Lowden\, Colleen Shepstone\, Bill Laing\, Gwen Frank\, Heather Urness\, Carole Bondaroff\, Ursula Knight\, Linda Mercer\, Diane Zansadny\, Joan Wieser\, Meeyun Hun\, Brad Harms\, Leanne Erikson\, Jo Ann Robinson\, Helen Mackie\, Wendy Warawa\, Andie Wicherts\, Patty Wild\, Deborah Yzerman \n 
URL:https://albertaprintmakers.com/event/x/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2025/07/X_Scan.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:19980901
DTEND;VALUE=DATE:19980902
DTSTAMP:20250730T163125Z
CREATED:20250724T173219Z
LAST-MODIFIED:20250730T163125Z
UID:10000216-904608000-904694399@albertaprintmakers.com
SUMMARY:...By Hand
DESCRIPTION:About the Exhibition\n…By Handis A/Ps contributing exhibition in association with this year’s annual ArtWalk festival. Work from A/P will be on display in both The New Galleries front space. This is a juried exhibition featuring the members of A/P. \n\n  \nArtist: Group Show\n  \n  \n 
URL:https://albertaprintmakers.com/event/by-hand/
LOCATION:Alberta
CATEGORIES:Other Exhibition Past,Past
ATTACH;FMTTYPE=image/png:https://albertaprintmakers.com/wp-content/uploads/2024/01/cropped-Logo-AP-NoBG.png
END:VEVENT
END:VCALENDAR