'Based on the duality between fugitiveness of light and moment', Langevins' work navigates between exactitude and blurry images to exaggerate this duality. The human figures portrayed, twist and become disfigured, modified by his ephemeral light, which in turn rests itself upon a metaphor of man's consciousness of his own death. The belief of the eternity of one's spirit or soul, or the attempt to make an existence appear longer in the memories of others, becomes representative in the ambiguous movement of the human figures...